Patience (After Sebald)是一部关于风景、艺术、历史、生命和失去的多层次电影散文（film essay），沿着塞巴尔德最著名作品《土星之环》的足迹，影片叙述随着东英吉利海岸的漫长徒步而展开。与《土星之环》一样，这部电影集合了历史、游记、回忆录、冥想、小说和图像等各种形式，来探索我们时代私人的、公共的和经常被忽视的历史。 　　影片中接受采访的包括罗伯特·麦克法兰、凯蒂·米切尔、亚当·菲利普斯、里克·穆迪和塔西塔·迪恩。 　　——节译自London Review Bookshop网站

主角・怪盗丽娅，平时是便利商店Faminya的看板娘，她的助手是一只名叫楚太郎的老鼠，丽娅经常藏身在便利店的地下室里策划宝藏夺取的计划。Faminya的隔壁就是大江户警察局，好色的警长、妄想症刑警、天然呆女警这三位警察整天叫喊着要逮捕怪盗丽娅，可是每次都因为太过愚笨而无功而返。就是这笨蛋警察三人组，才得以与怪盗丽娅一起上演了这样一部喜剧动画！BXU动漫FANS

主角・怪盗丽娅，平时是便利商店Faminya的看板娘，她的助手是一只名叫楚太郎的老鼠，丽娅经常藏身在便利店的地下室里策划宝藏夺取的计划。Faminya的隔壁就是大江户警察局，好色的警长、妄想症刑警、天然呆女警这三位警察整天叫喊着要逮捕怪盗丽娅，可是每次都因为太过愚笨而无功而返。就是这笨蛋警察三人组，才得以与怪盗丽娅一起上演了这样一部喜剧动画！BXU动漫FANS

本和女友婷卡以及他们年幼的女儿辛迪住在荷兰的乡村。本在游乐场里与他人起了争执，醉酒开车回家时发生了车祸，女友不幸丧生，本也因此被捕入狱。当他出狱回到家时，婷卡的父亲拒绝让他见辛迪，而辛迪也因许久未见本而不能辨认出自己的爸爸。婷卡的姐姐黛比一直试图缓解父女俩尴尬的关系，本最终也如愿得到和女儿独处的机会，并悄悄带着女儿离开了。

本和女友婷卡以及他们年幼的女儿辛迪住在荷兰的乡村。本在游乐场里与他人起了争执，醉酒开车回家时发生了车祸，女友不幸丧生，本也因此被捕入狱。当他出狱回到家时，婷卡的父亲拒绝让他见辛迪，而辛迪也因许久未见本而不能辨认出自己的爸爸。婷卡的姐姐黛比一直试图缓解父女俩尴尬的关系，本最终也如愿得到和女儿独处的机会，并悄悄带着女儿离开了。

阿丽亚（安妮·彤帕拉松 Anne Thongprasom 饰）是一位非常美丽的公主，在一次国事活动中，她遭到了歹徒的绑架，阿丽亚就这样来到了一条行驶在茫茫大海之中的轮船上。幸运的是，驻守在附近海岛上的海军官员威利（瑞格特·麦克托什 Ruengrit McIntosh 饰）发现了阿丽亚的踪迹，将她救到了岛上，两人在岛上和坏人们展开了一场你躲我藏的游击战。 　　最终，阿丽亚和威利顺利的返回了陆地，然而，阿丽亚还不能够回归自己的国家，因为在那里，有更多的坏人等着她回去，以便将她赶尽杀绝。为了自我保护，阿丽亚必须隐姓埋名，以一个普通人的身份回国，这也就意味着，她需要找一个丈夫来给自己的身份打掩护，她选中了可靠的威利。

阿丽亚（安妮·彤帕拉松 Anne Thongprasom 饰）是一位非常美丽的公主，在一次国事活动中，她遭到了歹徒的绑架，阿丽亚就这样来到了一条行驶在茫茫大海之中的轮船上。幸运的是，驻守在附近海岛上的海军官员威利（瑞格特·麦克托什 Ruengrit McIntosh 饰）发现了阿丽亚的踪迹，将她救到了岛上，两人在岛上和坏人们展开了一场你躲我藏的游击战。 　　最终，阿丽亚和威利顺利的返回了陆地，然而，阿丽亚还不能够回归自己的国家，因为在那里，有更多的坏人等着她回去，以便将她赶尽杀绝。为了自我保护，阿丽亚必须隐姓埋名，以一个普通人的身份回国，这也就意味着，她需要找一个丈夫来给自己的身份打掩护，她选中了可靠的威利。

Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’ 　　The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.

Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’ 　　The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.

Baal, a young artist whom society regards as a genius, does not want to be monopolized by the culture and business.